Author(s): Csilla MOLNÁR
Title: A NŐI LÉT TEMATIZÁLÁSA DROZDIK ORSOLYA MUNKÁSSÁGÁBAN
Source: D. Borbélyová, A. Csehiová, K. Józsa, K. Kanczné Nagy, K. Kéri, B. Kiss, B. Pukánszky, Y. Orsovics (eds.): 16th International Conference of J. Selye University. Pedagogical Sections. Conference Proceedings
ISBN: 978-80-8122-506-2
DOI: https://doi.org/10.36007/5062.2024.277
Publisher: J. Selye University, Komárno, Slovakia
PY, pages: 2024, 251-260
Published on-line: 2024
Language: hu
Abstract:
THEMATIZATION OF WOMANHOOD IN THE WORK OF ORSOLYA DROZDIK
In my presentation, I would like to review the creative work of painter and performance
artist Orsolya Drozdik, professor at the University of Fine Arts. Drozdik is a
significant person not only as a creative artist, but also as a theoretician, who based on his
experiences abroad compiled the volume Walking Brains in 1998, which was pioneering
in Hungary at the time in terms of its approach. In any case, Orsolya Drozdik's fine art
works are characterized by a strong theoretical and conceptual character, which were
favorably received by critics and audiences abroad. In domestic terms, her work became
better known only from the mid-1990s. The discriminating attention shown to the issues
of womanhood and the effort to validate the viewpoint of the female creator are decisive
in her perspective. In my lecture, I will also try to review the reception regarding Orsolya
Drozdik, and present the changes in the interpretations related to her.
I believe, in agreement with other commentators, that Orsolya Drozdik brought with her a
consistent artistic program and the freshness typical of international post-feminist art in
her sculptures, installations, photos, poems, and varied representations of them, when she
returned to the domestic art life in the mid-1990s. Her work had and still has a decisive
influence, without her perhaps a different kind of artistic discourse would have been
created. After the regime change, Hungarian women artists began to develop a program
of identity search, as part of this they sought new ways of expression: new materials, new
techniques, even new art types and genres. Orsolya Drozdik played a decisive role in all
of these endeavors and in their theoretical-scientific and reflective foundation.
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